Blu-ray Movies
“A Face in the Crowd”
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May 2019
A Definitive Blu-ray Edition of Elia Kazan’s Cautionary Tale
The Criterion Collection 970
Format: Blu-ray
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In the summer of 1953, Andy Griffith was in Manteo, North Carolina, playing Sir Walter Raleigh in The Lost Colony, the longest-running outdoor production in the history of American theater. That same year, as Deacon Andy Griffith, he recorded the comedy monologue “What It Was, Was Football” for Colonial Records. It was only Colonial’s third recording, and when Capitol Records took it over and put their own label on it, the record became one of the most popular comedy singles of all time, with sales of almost 800,000. I was 12 years old, and Colonial was on a street in Chapel Hill, North Carolina, that made a T intersection with the tiny street on which I lived with my parents. My dad knew someone who had a connection, and took me down to meet Griffith. He was warm and friendly, pretty much like the character he later played on TV in The Andy Griffith Show (1960-1968).I liked him a lot.
"To Sleep with Anger"
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April 2019
Criterion Scores with a Brilliant Blu-ray of a Neglected Masterpiece
The Criterion Collection 963
Format: Blu-ray
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Although African-American writer and film director Charles Burnett has long been active as a filmmaker and is highly regarded by his peers, his work is not well known to the general public, especially white audiences. He’s mostly been involved in making documentaries and dramatic films for television that have seemed to fly under the radar. Now, having seen To Sleep with Anger (1990), I’m inclined to think he’s one of our greatest directors.
"The Magnificent Ambersons"
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March 2019
Orson Welles's Truncated Masterpiece Looks Great on Blu-ray
The Criterion Collection 952
Format: Blu-ray
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RKO Radio Pictures cooked up this truncated version of Orson Welles’s The Magnificent Ambersons (1942) while the director was away in South America, filming his next (unfinished) film, It’s All True. At first Welles tried to communicate with RKO via long-distance calls, using fellow director Robert Wise as go-between, but to no avail: RKO made drastic cuts, rearranged the order of scenes, shot new scenes -- some directed by Wise -- and tacked on a sappy, happy ending.
"Horror Express"
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February 2019
A Cult Classic Done Right from Arrow Films
Arrow Films AV179-TM
Format: Blu-ray
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Produced in Spain in 1972 for a measly $300,000, Horror Express has received terrible treatment since its release. It flopped in Spain but was better received in the UK, where it got excellent reviews. The US release was a disaster. The distributor had so little interest that it provided misleading poster art and, according to some reports, released a workprint to theaters.
"Forty Guns"
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January 2019
Barbara Stanwyck as The Woman in Charge
Criterion Collection 954
Format: Blu-ray
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Forty Guns (1957) opens in silence. There’s an overhead long shot of the arid prairie, a small wagon crossing it like an ant. In a medium shot, the wagon is revealed as carrying three men whom we later learn are the Bonell brothers: Griff (Barry Sullivan), Wes (Gene Barry), and Chico (Robert Dix). The sound of hooves is heard, getting louder and louder. Suddenly, from around a bend in the road, Jessica Drummond (Barbara Stanwyck) appears all in black, on a galloping white horse, leading 40 horsemen in two ranks. They split up to surround the wagon, and the point of view nervously shifts between high and low shots, emphasizing the tenseness of the situation. Drummond won’t appear again onscreen for another 20 minutes, but . . . what an entrance! Stanwyck was given one of the most memorable introductions ever caught on film.
"Lost Horizon"
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December 2018
Sony Pictures 51742
Format: Blu-ray
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Most readers know the plot of Frank Capra’s Lost Horizon (1937), based on the novel by James Hilton. British government envoy Robert Conway (Ronald Colman) escapes a war-torn Eastern European country, only to discover that he and his four companions have been kidnapped and transported to Shangri-La, a mythical land in the Himalayas. Conway, a pacifist, almost immediately feels at home in this land that has no rulers, no strife, no war, and little of the other baggage of civilization.
"Dragon Inn"
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November 2018
Criterion Succeeds with an Early Wuxia Masterpiece
The Criterion Collection 937
Format: 4K BD
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In film, inns, taverns, and barrooms are usually plain, innocuous settings with an undercurrent of mystery that often attract conniving patrons who ramp up the action and turn them into battlegrounds. You find them in all cultures. Remember Treasure Island and the Benbow Inn? The titular establishment in this film is an isolated, peaceful inn with wooden tables, a bar on the first floor, and, on the second, a balcony leading to bedrooms -- nice accommodations for travelers.
"My Man Godfrey"
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October 2018
The Criterion Collection 114
Format: Blu-ray
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In any conversation about screwball film comedies, My Man Godfrey is sure to be mentioned. Released in 1936, at the height of the Great Depression, it derided the rich as frivolous and empty-headed, and boosted good opinions of the poor, while still being breezy and riotously funny. One wonders if any of the ennobled poor could afford to see it.
"Heaven Can Wait" (1943)
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September 2018
Is the Hero of Ernst Lubitsch’s Comedy Hellbound?
The Criterion Collection 291
Format: Blu-ray
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You’d think most people would try to avoid spending the afterlife in Hell, but Henry Van Cleve (Don Ameche), after ruling out admittance to Heaven in his own mind, is afraid he won’t be accepted as a denizen of the lower depths. His Excellency the Devil (slyly played by Laird Cregar) asks him to recount his life on Earth, including the women Henry has known. And that’s the basic story of director Ernst Lubitsch’s Heaven Can Wait (1943): Henry Van Cleve’s birth, coming of age, and adult years. Scenes in Hell occur only at beginning and end, to frame a tale told as one long flashback.
"A Matter of Life and Death"
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August 2018
A Blu-ray Gem from Criterion
The Criterion Collection 939
Format: Blu-ray
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Released in 1946 in the UK as A Matter of Life and Death and in the US as Stairway to Heaven, this postwar film is a unique jewel of cinema that operates on many different levels and succeeds on all of them. Its creators, Michael Powell and Emeric Pressburger, who together wrote, produced, and directed it, had been approached by Jack Beddington, head of the UK Ministry of Information’s film commission, to make a movie that would soothe the frayed feelings between the UK and the US at the end of World War II. This genius partnership came up with A Matter of Life and Death, which, below its surface of romantic comedy, explores more serious matters.
