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"The Addiction"
July 2018
A Different Kind of Vampire Film
Arrow Video AV-152-TM
Format: Blu-ray
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Have you ever thought of Christopher Walken as a vampire, or of vampirism as an allegory for addiction? Renegade director Abel Ferrara, best known for Bad Lieutenant, had the idea back in 1995 when he created The Addiction, a black-and-white cult favorite.
Two I Missed the First Time Around: Judee Sill and Murray Head
July 2018
By the early 1970s, rock music was firmly established as a cultural force, and the influx of cash from increased album sales gave record companies incentive to try new things. It was a time when musicians beyond category, such as Captain Beefheart and Frank Zappa, could have recording contracts with a major label. The ambition of bands both famous and obscure over the previous five years had opened the minds of listeners to all kinds of possibilities, and that willingness to permit and encourage experimentation extended to pop music of all genres. Stevie Wonder, to choose just one example, released some of his most ambitious and groundbreaking recordings in the early ’70s.
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Andy Biskin & 16 Tons: "Songs from the Alan Lomax Collection"
July 2018
Andorfin ANDRF-007
Format: 16-bit/44.1kHz FLAC download
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The world is now so hyperconnected that only those of a certain age can recall a time when essentially any commercially released music was not available at our fingertips. The world still held untapped discoveries, and it was up to stalwart explorers like ethnomusicologist Alan Lomax to open our ears to unknown possibilities by bringing obscure artists into the light.
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"Moonrise"
June 2018
The Criterion Collection Tries to Resurrect Frank Borzage on BD
The Criterion Collection 921
Format: Blu-ray
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I seldom listen to music when driving my little bright-red 2008 Toyota Yaris. There, old-time radio is king, and for the past month I’ve been listening to The Chase and Sanborn Hour, with Edgar Bergen and Charlie McCarthy. This variety show, broadcast from 1929 to 1948, ran the gamut from humor to drama to pop song to opera arias sung in their original languages. From 1937 to 1939 the show was hosted by Nelson Eddy, but listening today, I wonder what all the excitement was about: Eddy bleats his top notes, shamelessly ruins bonbons from Gilbert & Sullivan operettas, and sings the most racially insensitive rendition of “Shortnin’ Bread” ever. One day, when Eddy was on vacation, he was replaced by baritone Donald Dickson, whose voice was worthy of the Metropolitan Opera -- where, indeed, Dickson sang in the mid- to late 1940s.
Willie Nelson: "Last Man Standing"
June 2018
Legacy 19075827252
Format: CD
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Here’s the thing: Willie Nelson is 85 years old, and I’ve given up on him making another Red Headed Stranger. That’s okay; one album like that 1975 genre-defying masterpiece surpasses what most musicians accomplish in a lifetime -- even one as long and productive as Nelson has lived.
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"Killer Klowns from Outer Space"
May 2018
A Cult Classic Gets a Classy Revival
Arrow Video
Format: Blu-ray
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Maybe you’re not afraid of clowns, but you may be after watching Killer Klowns from Outer Space (1988), a unique cult favorite that this year celebrates its 30th anniversary. Or you’ll appreciate this movie’s outright wackiness and dark humor. Or both. Written by the Chiodo Brothers -- Stephen, Charles, and Edward -- and directed by Stephen, it’s a skillful mix of stop-motion animation and live action -- the seams are hard to spot.
Newvelle Records' Subscription LP Service
May 2018
Newvelle Records is a Paris-based label that offers jazz recordings on vinyl by subscription. For an annual fee of $400 (plus shipping), the subscriber receives a newly recorded LP every other month and, at the end of the year, a handsome, heavyweight slipcase to store them all in. This year is the third for this service, but you can buy each of the previous annual collections, while still available, for the same price as the subscription.
Miles Davis & John Coltrane: "The Final Tour: The Bootleg Series, Vol.6"
Columbia/Legacy 88985448392
Format: 4 CDs
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At the dawn of the 1960s, trumpeter Miles Davis -- then 33 -- was on the cusp of reaching a new level in his career. Five years into a lucrative recording contract with Columbia Records, he was, along with Duke Ellington, the only black musician in the upper echelons of the prestigious label’s roster. His band -- featuring saxophonist John Coltrane, pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb -- was a popular attraction throughout the US. Supplemented by saxophonist Cannonball Adderley and pianist Bill Evans, the band had released Kind of Blue four months earlier, and the album was already garnering the critical reception that would eventually make it one of the most respected recordings in the history of jazz. Outside of music, Davis was being cited by cultural observers like Playboy magazine as an icon of sartorial and behavioral style. He wore tailored Italian suits, drove a Ferrari, lived in a three-story brownstone on New York City’s Upper West Side, and was married to an equally fashionable former Broadway dancer.
