September 2022
Amadeus Meitner is a DJ and a fan of electronic music. He is also the son of legendary audio-designer Ed Meitner, who founded EMM Labs and Meitner Audio, two brands that make world-class digital-to-analog converters, as well as other high-end hi-fi electronics.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
September 2022
Jimi Hendrix turning 80. It’s unfathomable, of course. Would he be dipping into hip-hop? Playing his hits in casinos? To quote one of his later compositions: Who knows?
September 2022
Spirit is not exactly a forgotten band. Two of its songs, “I Got a Line on You” and “Nature’s Way,” have been constants on classic-rock radio playlists. Beyond those tunes, however, the typical rock fan probably hasn’t heard much from a group whose first four LPs rank among the best of the late ’60s and early ’70s. Perhaps Spirit’s eclecticism ended up limiting its appeal. At times its music could be pegged as progressive or hard rock, but it also included elements of jazz, folk, and even classical music. For all its ambition, Spirit wrote memorable songs that should have led to a much larger following.
September 2022
Woo-hoo! You made it through the recording process, but your work’s not done yet. Now you have to take all those separate tracks and turn them into something other people can listen to—and, ideally, something they want to hear. This process is called mixing or mixing down. The mixdown stage can seem daunting at first, especially when you have many tracks to mix. However, with practice, it’s not that big a deal on a modern digital audio workstation (DAW). It’s easier if you’re also the person who did the recording—you’re already familiar with the tracks, and you were probably working on the mix during the recording. But that’s not essential, and for this column I’ll be assuming that someone else recorded the tracks. The same principles apply to both situations.
September 2022
Irabbagast Records 021
Format: 24-bit/44.1kHz WAV download
Musical Performance
Sound Quality
Overall Enjoyment
By rights, tenor saxophonist Jon Irabagon should be as well known to jazz fans as peers Chris Potter, Mark Turner, or Joshua Redman. A 44-year-old Chicagoan who moved to New York City at the turn of this century, Irabagon won the Thelonious Monk Jazz Competition in 2008, played alongside guitarist Mary Halvorson—one of the most-lauded jazz performers of the past decade—and has been a member of trumpeter Dave Douglas’s high-profile quintet for a number of years. Irabagon has a highly recognizable sound, impressive technique, and a broad scope of musical expression, as demonstrated on 13 albums under his own leadership. Yet, he continues to stay just under the radar of many listeners.
August 2022
Vintage hi-fi components may be having a moment, but design-conscious dwellers of contemporary homes likely prefer a sound source that matches the aesthetic of their Miele steam oven and Minotti seating system. If your chic downtown apartment is more sleek finishes than the period wood of my 130-year-old abode, the super-clean look of the Totem Kin Play Tower stereo speaker system ($2250 per system in US or Canadian dollars) will likely appeal to you. My review sample was in the company’s Satin Black finish, and with the grilles removed, the two 5″ soft-dome woofers on each speaker gleamed. Each speaker also has a 1″ soft-dome tweeter.
August 2022
Yeros7 Music 0195269159801
Format: 16-bit/44.1kHz WAV download
Musical Performance
Sound Quality
Overall Enjoyment
In an era where digital advertising, social media opinions, and all sorts of other “content” vie for our attention, the ability to disrupt has become a sought-after skill in the 21st century. Composer and multi-instrumentalist Tyshawn Sorey is a master of disruption.
Note: for the full suite of measurements on the iFi Audio Zen One Signature from the SoundStage! Audio-Electronics Lab, click this link.
Note: for the full suite of measurements on the iFi Audio Go Bar from the SoundStage! Audio-Electronics Lab, click this link.
July 2022
At 84, reed player Charles Lloyd has expressed himself in a wide variety of settings over his long career, and has always found an audience, whatever his role: Eric Dolphy’s replacement in Chico Hamilton’s popular band; the trendsetting leader of his own group in the ’60s, with youngsters Keith Jarrett and Jack DeJohnette; godfather of the Big Sur musical tribe, which included members of the Beach Boys; or as one of several saxophonists who have been viewed as the successor to John Coltrane. Coursing through everything he has done—and a large factor in how he has maintained his audience all these years—has been a sense of quiet spirituality.
July 2022
The history of rock music is filled with musicians who were one-hit wonders, or whose career was somewhat brief but had a lasting impact. The Velvet Underground’s recording life was a mere four years, but inspired countless other bands. Of course, two of the original members, Lou Reed and John Cale, went on to have long careers in music. Music journalist Lester Bangs’s essay “Psychotic Reactions and Carburetor Dung” makes a convincing argument that Count Five’s lone hit, “Psychotic Reaction,” was more influential than the entire recorded output of some bands.
July 2022
Columbia Records / Legacy Recordings 19439955761
Format: 2 LPs
Musical Performance
Sound Quality
Overall Enjoyment
As everyone knows, life seldom deals you a second hand. Snooze, lose, and all that.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
June 2022
As much as I love listening to music, I love the stories associated with the creation of music even more. Whether it’s the heartbreaking irony of seminal jazz trumpeter Buddy Bolden suffering a mental collapse just before the dawn of sound recording or the unlikely second act of Tina Turner—it’s the humanity that gets you.
June 2022
Division 81 Records
Format: 24-bit/96kHz FLAC download
Musical Performance
Sound Quality
Overall Enjoyment
The late ’80s and early ’90s witnessed a resurrection of sorts for the improvisational musical genre generally lumped under the problematic title “free jazz.” Granted, that term is a bit less confusing than “energy music,” “fire music,” or worst of all, the overgeneralized “avant-garde”—terms favored in the 1960s, when John Coltrane, Albert Ayler, and Archie Shepp blew long and hard—but the “free jazz” sobriquet does little to encapsulate the music made by artists like Charles Gayle, David S. Ware, and Ivo Perelman.
May 2022
I have a friend in New York City who shares my audiophile leanings and many of my musical tastes, and we frequently exchange thoughts on recordings I review here. However, as an apartment dweller, my friend keeps his amplifier turned down low, limiting how deeply he can delve into them. He relies on headphones for most of his listening.
May 2022
Let’s talk about vinyl.
I’ll begin by saying that you can call them records or LPs (which stands for “long player” or “long-playing”), but never “vinyls.” Vinyl is what’s used to make LPs, and vinyl as a general description for records that are pressed out of that material is fine. I’ve been buying records for more than 50 years, but I’ve never called them “vinyls.” I collect vinyl, but I have 4000 LPs. Or maybe 5000. . . .
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