July 2023
On the day that my comments about the recent MoFi settlement were posted on this site, I received a copy of Tuttle v. Audiophile Music Direct in the mail.
July 2023
Contemporary Records / Craft Recordings / Acoustic Sounds CR00594
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
Bassist Leroy Vinnegar was born in Indianapolis and moved to Los Angeles in the 1950s, where he appeared on albums by nearly every jazz musician who passed through LA or was based there. He played on sessions with Stan Getz, Benny Carter, Kenny Dorham, and many others. He was the bassist on popular trio sessions with Shelly Manne and André Previn, including My Fair Lady (1956), a Contemporary Records release that was one of the label’s biggest sellers. He played on another big seller, Swiss Movement, a 1969 live collaboration between Les McCann and Eddie Harris.
July 2023
When the news broke last year that Mobile Fidelity Sound Lab was using high-resolution digital files as the source for some of its vinyl releases, including its costly Ultradisc One-Step pressings, a predictable outcry from vinyl lovers ensued. The story even got national attention, with a writeup in the Washington Post. Several SoundStage! Network contributors addressed the issue, including Jason Thorpe. I weighed in as well, as did SoundStage! founder Doug Schneider, who also posted a video about it.
July 2023
On August 17, 1969, the final scheduled day of the Woodstock Music and Art Fair, Sly & the Family Stone appeared onstage at 3:30 a.m. Stage announcer “Chip” Monck’s sonorous voice brought the group out, and they played a tight, 50-minute set. Two songs from that performance, “Dance to the Music” and “I Want to Take You Higher,” made their way onto Michael Wadleigh’s documentary film of the festival, and were among its most electrifying moments.
June 2023
Contemporary Records / Craft Recordings / Acoustic Sounds CR00390
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
André Previn’s long career included well-regarded work as a pianist, composer, and conductor in classical music, film soundtracks, and jazz. Previn appeared on many recordings for Contemporary Records in the late 1950s, both as a solo pianist and in a trio setting, and recorded three Broadway-themed albums with drummer Shelly Manne and bassist Red Mitchell. Manne himself recorded albums of show tunes for Contemporary, on which he was the bandleader, with Previn on piano and Leroy Vinnegar on bass. Manne’s My Fair Lady (1956) was the first of those albums. It was so popular that Contemporary encouraged him and Previn to continue making records consisting of tunes from various shows.
June 2023
It’s hard to think of a currently active mastering engineer whose initials appear on more LP lead-out grooves than Kevin Gray’s. He cuts the lacquers for Blue Note’s Tone Poet and Classic Vinyl series, as well as for rock recordings released on vinyl by Intervention Records. He also remasters vinyl reissues for some of Concord’s Craft Recordings reissues, including the newly resurrected Original Jazz Classics series. And that’s just a sampling of his current work.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
June 2023
If you caught last month’s column, you’ll know that one of the recordings I featured was Van Morrison’s signature major-label debut, Astral Weeks. I noted that—typically for a pop recording in the late 1960s—the recording setup was pretty basic. Morrison’s voice is centered in the soundstage, and there appears to have been little or nothing altered in post-production. One consequence is that Morrison occasionally sounds slightly off-mike. Having seen Morrison perform several times, I expect those off-mike incantations were deliberate.
May 2023
Van Morrison: Moving On Skiffle
Exile / Virgin Music 2448191410
Format: CD
Musical Performance
Sound Quality
Overall Enjoyment
If you’re a Van Morrison fan, you get used to the singer’s crankiness, but he probably pushed a little too hard on two recent outings—Latest Record Project, Volume 1 (2021) and What’s It Gonna Take? (2022). Van was mad that he couldn’t tour because of the COVID-19 pandemic and went after everyone from government officials to the media. He released the first album during the worst of the pandemic and received some blowback; some of it deserved, some unfair.
May 2023
If you want a good example of vinyl’s healthy return as a format, take a look at Blue Note’s Tone Poet reissue series. Jazz lovers have embraced it, despite the slightly higher costs. The Tone Poet LPs are mastered to an audiophile standard and the packaging reflects the care everyone has taken in presenting the great Blue Note and Pacific Jazz titles in the series. The covers are made of heavy cardboard, with tipped-on, laminated artwork prepared by Stoughton Printing. Most of the covers are gatefolds, with photos from the original sessions. Record Technology Incorporated, one of the best vinyl plants in the world, presses the 180gm LPs.
May 2023
For most of my “Art+Tech” columns so far I’ve led with the music. More often than not, I’ve used the art to see how well a piece of technology can reproduce it.
April 2023
GoGo Penguin: Everything Is Going to Be OK
XXIM Records
Format: 24-bit/48kHz WAV download
Musical Performance
Sound Quality
Overall Enjoyment
GoGo Penguin’s new album, Everything Is Going to Be OK, arrived April 14 on CD, LP, and download, about nine months after the band’s EP Between Two Waves was released. Like that EP—the band's first record since moving to Sony’s XXIM Records—the LP features the band’s new drummer, Jon Scott, and integrates the occasional synthesizer in the mix. The trio has used studio technology to alter and process its sound in the past, but now it has embraced electronic keyboards to help it move in some new directions.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
April 2023
Composer Wayne Shorter died on March 2 this year, at the age of 89. Along with the release of a massive, career-capping biography of fellow saxophone giant Sonny Rollins, this is a landmark—the symbolic end of a jazz era studded with remarkable iconoclasts. Miles. Monk. Trane. Wayne. Sonny. We all know their unique sounds; hearing them in our heads as soon as those single names pass the lips.
April 2023
“James Brown was born to lose. He refused to accept that fate.” Those words begin the biography of the Godfather of Soul included in the booklet that accompanied Star Time (1991), a four-CD anthology that presents a comprehensive overview of Brown’s career. Harry Weinger and Cliff White continue the story: “Brown was determined to be Somebody. He called himself ‘Mr. Dynamite’ before his first Pop hit, and ‘The Hardest Working Man in Show Business’ before the business knew his name.”
March 2023
Ralph Towner: “At First Light”
ECM Records / Universal Music
Format: 16-bit/44.1kHz WAV download
Musical Performance
Sound Quality
Overall Enjoyment
Ralph Alessi Quartet: “It’s Always Now”
ECM Records / Universal Music
Format: 16-bit/44.1kHz WAV download
Musical Performance
Sound Quality
Overall Enjoyment
Although ECM Records has released its share of music by European jazz musicians, the label has also given exposure to American musicians since it was established by Manfred Eicher in 1969. The label’s first release was pianist Mal Waldron’s Free at Last (1970). Keith Jarrett’s solo piano recordings for the label increased his popularity and ensured the label’s financial viability, and his Standards Trio recordings with ECM reaffirmed his place in the jazz pantheon. Pat Metheny, John Abercrombie, Charles Lloyd, and Peter Erskine all made fine recordings for ECM.
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