April 2018
Experience Hendrix/Legacy
Format: CD
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Sometime in the mid-’70s, one of Rolling Stone’s waggish music critics began a review of one of the pastiche post-mortem recordings that surfaced in the decade after Jimi Hendrix’s death on September 18, 1970, with the words “Scrape, scrape.”
March 2018
Water Is Life 13
Format: CD
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For an artist with a wholly individual technique and a career that spanned only 25 years, guitarist Django Reinhardt’s posthumous influence on popular music is challenged only by that of Jimi Hendrix and Charlie Parker. Sixty-five years after his death, at the age of 43, Reinhardt’s melodic fluency, harmonic sophistication, and rhythmic flow not only set the bar for jazz guitarists but gave birth to an informal school of followers that flourishes worldwide.
February 2018
Legacy 19075802312
Format: CD
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All hail the riff. From the elemental, slow-motion growl of Link Wray’s “Rumble” through Keith Richards’s just-woke-from-my-coma fuzzy progression of “Satisfaction” onward, guitar-based rock has lived or died on memorable note choices. As advanced as amplification, electronic effects, and recording technology have become, it still comes down to how you make that joyful noise on your six strings.
January 2018
Anti- 87557
Format: CD
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As a child in Chicago, Mavis Staples idolized Mahalia Jackson, a towering figure in gospel music who attained such stature that she was invited to perform at John F. Kennedy’s inauguration in 1961. Young Mavis got first-hand exposure to Jackson through the established performer’s friendship with Roebuck “Pops” Staples, the patriarch of the Staple Singers and an important -- though often overlooked -- link between the seminal Mississippi Delta guitarists and the urban gospel-soul of artists like Curtis Mayfield, Sly Stone, and Marvin Gaye.
December 2017
Kwimu Music
Format: CD
Musical Performance
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When you’ve heard someone play music as often as I’ve heard Ottawa-based guitarist Roddy Ellias over the past 40 years, it’s easy to overlook some of the things you hear; not to say that you ever actually take their musicianship for granted. With the 68-year-old Ellias, who has been more than a passing acquaintance for much of those four decades, it’s not so much familiarity or ubiquity that contributes to that state as his quiet self-deprecation. He’s so low key that it’s easy to forget that he’s both a world-class player and composer.
November 2017
Megaforce
Format: CD
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Outrageously overlooked in the annals of recent rock history in favor of other mid-’80s bands like Metallica and Guns N’ Roses, Living Colour is back, and sounding tougher than ever. The quartet’s sixth album -- its first since 2009 -- is an extended meditation on the blues that is stuffed full of slamming guitar hooks and uncompromising social commentary.
October 2017
Rounder 1166100054
Format: CD
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The first music review I had published examined an album by Gregg Allman. By then, 1977, I’d already been hearing his voice for seven years. So I approach his final recording with both sadness and a wealth of historical context. Although I met Allman only once -- very briefly on a beach in Macon, Georgia, in 1979 -- I feel like I’m saying farewell to an old friend.
September 2017
ECM 2581
Format: CD
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There’s a common refrain in the wider jazz community that there are few stars left, and that those who still remain -- Keith Jarrett, Herbie Hancock, Wayne Shorter, and Sonny Rollins are those most often cited -- are well into their senior years. The people who repeat this refrain like a mantra mourn the days when, as my colleague Howard Mandel wrote, “giants walked the earth.” The typical roll call of giants includes Miles Davis, John Coltrane, Thelonious Monk, and select others of their generation.
August 2017
New West 6398
Format: CD
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Beck’s idiosyncratic mashups generally defy cover versions, let alone by veteran southern jazz-rock artists. So finding a credible version of “Devils Haircut,” one of the core tracks of Beck’s breakthrough Odelay, on the 14th album by Randall Bramblett is a surprise.
July 2017
Pi 69
Format: CD
Musical Performance
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Overall Enjoyment
Alto saxophonists Ornette and Steve Coleman share more than their instrument of choice and surnames; the younger Coleman was the first major bandleader since his namesake to make music that moved mind and body in equal measure.
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