John Escreet: "Don't Fight the Inevitable"

June 2010

201006_johnescreet2Jazz Tone Poems of Searing Intensity Sizzle on John Escreet's Second CD 

Mythology Records MR0007
Format: CD

Musical Performance
Sound Quality
Overall Enjoyment

Escreet's music is inventive, powerful, and even frightening at times. Throw in his virtuoso playing and it seems that the overused adjective awesome has found a worthwhile use. His backup band, the John Escreet Project, comprises musicians (David Binney on alto saxophone/electronics, Ambrose Akinmusire on trumpet, Matt Brewer on double bass, and Nasheet Waits on drums) who keep up with him not as background but as co-conspirators, and the ensemble's hair-raising virtuosity is breathtaking.

There's a sixth voice in "Charlie in the Parker," as a recording of Parker's spoken voice has been woven into the track: "Music is basically harmony, melody, and rhythm; people can be descriptive in all kinds of ways." Parker was instrumental in changing the face of jazz, and his inclusion here is a tribute to innovation and an affirmation that Escreet will keep its torch burning. The recorded sound is full and appropriately reverberant without losing any detail, and that's no small accomplishment since there are a so many subtleties here that could easily get lost in the often cacophonous mix.

Be sure to listen to: The striding opening and chord progressions of the first cut, "Civilization on Trial," which might remind the astute listener a bit of John Carpenter's Halloween score. That reference is quickly banished by an insistent rhythmic motif but then reappears under a new guise. For once the opening track on an album really sounds like a curtain raiser.

. . . Rad Bennett

More SoundStage! Videos

  • Is Room Correction the Answer? The NAD M33 Integrated Amplifier Review (Take 2, Ep:18)
  • Can Small Speakers Sound Better? DALI Menuet SE Loudspeaker Review (Take 2, Ep:17)
  • Peter Thomas: From the BBC to PMC - SoundStage! Icons (October 2020)
  • Focal Diablo Utopia Colour Evo Loudspeaker Review (Take 2, Ep:16)
  • Sonus faber's Paolo Tezzon on the New Lumina Loudspeakers - SoundStage! Talks (October 2020)
  • Is This the Best Class-D Amplifier? Purifi Audio's Eigentakt Amplifier Review (Take 2, Ep:15)
  • The Simaudio Moon Product Universe - SoundStage! Talks (September 2020)
  • Magico A1 Loudspeaker Review (Take 2, Ep:14)
  • Inside the KEF LS50 Meta - SoundStage! InSight (October 2020)
  • Naim Audio Supernait 3 Integrated Amplifier Review (Take 2, Ep:13)
  • Elac Alchemy DDP-2 Streaming DAC/Preamp Review (Take 2, Ep:12)
  • How Hegel Approaches Integrated Amplifiers - SoundStage! Talks (September 2020)
  • Nordost Talks Clocks, Oscillations, and Synchronization - SoundStage! Talks (September 2020)
  • PMC Fact.8 Signature Loudspeaker Review! (Take 2, Ep:11)
  • Which is Better? Elac Navis ARB-51 vs. Focal Shape 65 (Take 2, Ep:10)
  • Amphion for the Home, the Studio, and Billie Eilish - SoundStage! Talks (August 2020)
  • The NEW Hegel H95 Integrated Amplifier Review ! (Take 2, Ep:9)
  • Estelon: Loudspeaker Excellence and Originality from Estonia - SoundStage! Talks (August 2020)
  • Zero-Distortion Amplification: Halcro Out of Hiatus - SoundStage! Talks (August 2020)
  • Best Active Speaker? Elac Navis ARB-51 Speaker Review (Take 2, Ep:8)
  • Vivid Audio's Inventive and Spectacular S12 Loudspeaker - SoundStage! InSight (August 2020)
  • Qobuz Hi-Res Traction and Younger Listeners, with David Solomon - SoundStage! Talks (July 2020)
  • Schiit Audio Ragnarok 2 Integrated Amplifier Review (Take 2, Ep:7)